Boats

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Boats

This is a blog about how experiences we have remain in our memory and can gain new and deeper meaning in our lives simply because of the gift of time. The gift of time can whisper the inexplicable Presence in ways sometimes our unresolved selves could not then hear it. What happens when we pay attention to images that resurface for us, bringing joy and peace? It’s also about finding what ways contemplation happens in our life and then being true to that by simply turning up for it, again and again, imperfectly, unresolved, still questioning and evolving, only partially understanding or partially experiencing, or even sometimes not having any felt sense of God’s love. But showing up anyway, as we are.

When I was an international student at Heidelberg University, thanks to a Rotary Scholarship, I was homesick living in a dorm in Neuenheimer Feld, and many days after classes walked the hills of that lovely city, often alone. I was 22. Almost without knowing it, I fell in love with the barges sailing up the Neckar River and down it, silently, low in the water, with mostly smooth flat tops. Pencil-thin from above, they reminded me of toy boats almost or poetry in action.

A walker since my early teenage years, escaping tumult at home, my walk then was along Philosopher’s Way. The path was across the river from the magnificent ruins of the Heidelberg Castle. At various times of daylight, below me the castle’s red sandstone looked pink as sunrise against the dark green trees. Below it, always in my peripheral vision, was the city’s Old Bridge with its matching red sandstone, elegant curves, and scalloped patterning of the placid blue water.

What made these times of solitude special is that I also walked there not alone sometimes, with Frau Sophie Buschbeck as my companion. At first, “Sie” for the formal “you,” fairly soon she said, “Call me ‘Du’ [the informal ‘you’]. And Mutti Buschbeck.” And later she said: “Call me Mutti, if you wish.” She was a widow at 79, and she’d take my arm and off we went. Climbing the hills, her head down, her saying through quick puffs of breath: “You have to stay fit. You have to have hills to go up.”

I didn’t know then that my walks could be meditation. I had no awareness of that. As I was taught then, prayer was something you did with carefully chosen words, to make yourself a better person, to help you serve others better, to note make mistakes. I was raised with a policeman in my soul. Who was my god then, little g.

I had been raised to be what was called “selfless,” to think of others and their needs first, and not to think on my self. I didn’t know yet that I needed to make space for, cultivate, appreciate, and get acquainted with my self/selves/ego so that I could one day move beyond such. I was too injured to know any of this. I hadn’t yet learned how painful that is.

I used my mind as a buffer against pain. If I kept my mind busy, I could provide some numbing against a pain I couldn’t yet name. And my mind was dyslexic, so it took up quite a lot of my time to keep it busy.

But I could walk, thankfully, in the green trees above the Neckar River. Even though I was miserable, not really consciously taking in the scenery as much as unconsciously absorbing it and being immersed in it healingly. Thankfully I did have friends there who cared for me: Mutti Buschbeck, my kind roommate Gundi, the Buschbeck family who also took me in, and others I met along the path, literally, including one kind-hearted man, a dentist from another country, who took such a liking to me that after just three walks together there he asked me to marry him. I politely declined.

Looking back, I see how much walking meditation has been my path. It has been a true gift. I didn’t plan it this way. I walked because I was lonely and I loved nature, always have. Saying walking meditation is a way to pray was not in the limited vocabulary of my dogmatic evangelical upbringing. I had no idea I was doing anything “right” by walking and in fact felt that my entire life was a failure then.

I walked the way an injured animal will often find a bush and crawl into it and try to rest and heal. Call it instinct.

That I didn’t pass the language test to get into Heidelberg University and had to take remedial German courses there was just the academic component of a much larger failure health-wise, family-wise, and in every other way. I was so not at home inside myself that even every physical step was somehow painful, yet I was given the gift of getting out and walking, even so. Alone and other times with Mutti Buschbeck.

Sometimes I picture what my life might have been like had my young self heard a guest preacher say at one of the small churches I was taken to: “So contemplation is any means you use—walking meditation, rosary, mass, a 20-minute sit—any means you use—to experience this Self. . . . [That] is for me contemplation. And don’t get hung up on the posture or the program or the procedure cause I think as there are so many personalities there’s going to be many ways to experience it.” It would be decades before I heard Richard Rohr say that.

I am still watching the boats on the Neckar River come and go silently, low in the water, pencil-thin and smooth. They do not hurry. They move with ease. They do not zig or zag. They move ahead. With spaciousness. They seem to move without moving. They taught me without teaching me, I caught from them, how calmness can be lived out.

Only much later would I learn that Thomas Keating teaches something about boats. His words gave me words for what I’d learned from the Neckar.

The River is pure consciousness. This makes sense to me because I remember in graduate school walking up to my sixth-floor room after my sister had moved on to work as a nurse, and I was alone there, and I needed to forgive someone for my own sanity, and as I went to put my key in the lock and open the non-refurbished, stained wooden door to that ramshackle, tiny, but wonderfully located apartment, I felt a r(R)iver open my heart and run through my emerging selfhood.

Boats of all sizes float down this River. I remember the barges and boats of all sizes that floated down the beautiful Neckar River, a tributary of the Rhine River, and home for many terraced vineyards. Sometimes I see myself as a diver under the River. I’m not wearing any gear. Somehow I can just breathe under water, with ease. I’m sitting on a rock there below, comfortably, a good way down, and I see the boats now going by above me, some are small, some are long and large, some are medium in size. These are my thoughts. They come and go. New ones appear.

They can be anything, any thought, any feeling. In contemplation I let the boats go by. I don’t react to them or respond to them. I remember the experience of being up on Philosopher’s Way, with the quiet boats below going to and fro along the river, that feeling of being sick, lonesome, lost, and in pain, and yet also held. What a gift.

So in contemplation I don’t leave my cozy rock, swim up, and climb onto a boat, to analyze what it’s carrying, though I may feel that I’d like to. I don’t leave my rock, swim up, climb on, and ride downstream. I let it go. I let it pass by above me.

In contemplation, I don’t engage with these, I don’t judge them. I let them go. This helps me see I’m not what I’m thinking. Space opens up to discover who I am apart from my thoughts, I discover the wonder and the love that that River holds for us.

I sit on my rock, and I notice the River all around me.

Blessings to all of you friends, and thank you for being here,

Carmen

Unmediated Life

You can also listen to this blog on Carmen’s YouTube channel.


I walk about two hours a day so I can feel the ground under my feet. It’s unmediated.

Unmediated is “not mediated: not communicated or transformed by an intervening agency.”

In the middle of unmediated, hidden there, is media. Media is the original plural of medium. Medium is from an ancient root *medhyo– for “middle.”

Mass media is a medium of communication such as newspapers, radio, and television.

Mass media often stands between us and the real news about our lives.

On my walks there’s nothing much between me, my body, and earth. I don’t traverse the earth on Google Earth by moving my mouse. I don’t read of its wonders in an ebook. I don’t watch a colorful documentary on YouTube. I see earth’s flowers, smell its grass, hear its birds, taste its fog on winter days, and touch its soft feathers when they molt to earth.

The media scholar Marshall McLuhan and I became friends when I was eleven. We met at a public library. My mother dropped her four kids off while she went grocery shopping. For the bring-one, take-one bookcase, I took in a paperback ordered at school from Scholastic and took a book home titled The Medium is the Message/Massage.  

Later I found there The Mechanical Bride, The Gutenberg Galaxy, and my favorite, Understanding Media. These changed me. Luckily I had no idea he was a “philosopher” or someone a pre-teen should not read. I understood enough, and he stayed with me. I returned to his work often over decades.

When I read his ideas—that most people are unaware “blissfully” of “what the media do to them” and do not notice that “the medium is also the message [and the massage in that] . . . it literally works over and saturates and molds and transforms every sense ratio,” my seeing was changed forever. I started noticing the radio and the tv in new ways.

In graduate school, much later on, I learned McLuhan did his dissertation on grammar, logic, and rhetoric, all my favorite inquiries, and was himself influenced by Jesuit scientist and philosopher Pierre Teilhard de Chardin.

So I can study media and learn with and from my students, now I teach a course at University of California, Berkeley, titled, “The Meme and the Human (& AI): Digital Literacies,” inspired by that chance encounter in a public library decades ago.

Memorably, the Introduction to the first edition of Understanding Media begins, “After three thousand years of explosion, by means of fragmentary and mechanical technologies, the Western world is imploding.” McLuhan adds, “Today, after more than a century of electric technology, we have extended our central nervous system itself in a global embrace, abolishing both space and time as far as our planet is concerned.” He argues that we are approaching (now are in, he might say) “the final phase of the extensions of [hu]man—the technological simulation of consciousness,” and he says that “the creative process of knowing will be collectively” because we have “collectively and corporately extended . . . our senses and nerves by the various media.”

McLuhan is an expert in pointing out the obvious that was not so obvious until he points it out: “Any extension [like a bike, car, cell phone, or social media, I add], whether of skin, hand, or foot, [or consciousness] affects the whole psychic and social complex.”

Sensory overload can prevent us from living in the present, unmediated, as McLuhan observes, “This is the Age of Anxiety for the reason of the electric implosion that compels commitment and participation, quite regardless of any ‘point of view.’” He also gave me hope by naming “[t]he aspiration of our time” as “wholeness, empathy and depth of awareness” as “a natural adjunct of electric technology,” by which he would also have meant our internet and social media today.

The essences of these “electric technology” changes are hard for us to detect, however, while they are happening. McLuhan calls it “the invisibility of any environment during the period of its innovation.” He compares the “content” of a medium to “the juicy piece of meat carried by the burglar to distract the watchdog of the mind.” He adds that while a movie’s content is a novel, a play, or an opera, that the “effect of the movie form is not related to its program content.”

He saw, for example, that these media come to us (as the radio did in his day) “with person-to-person directness that is private and intimate” and that “touch[es] remote and forgotten chords.” This tends “to numb our central nervous system,” he says because when it is “extended and exposed,” we are overwhelmed, and that’s one reason, he notes, that we live so much with a rear-view perspective, what McLuhan calls in one interview “the rearview-mirror view”—because we are numbed by the new technologies as they are making a new environment—we work to make the old environment that much more visible by turning it into an art form and attaching ourselves to its objects and vibes, which explains a good deal of the present-day nostalgia.

Anyone wanting to read more about this can find media scholar Limor Shifman’s Memes in Digital Culture, where she helps us understand today’s “participatory culture.”

All I can say is that awareness for me includes walking the earth and listening to egrets, my family, my friends, my students, and everyone I meet. Trying to be a real listener is a path to walk also.

And I try to listen to my ancestors and these include those I’ve lived with and translated or communed with, like Catherine of Genoa (1447-1510).

It would be wonderful if we could all read Friedrich von Hügel’s The Mystical Element of Religion as Studied in Saint Catherine of Genoa and Her Friends published by James Clarke in London in 1908. In fact, I put that there to remind me to one day. Ah, my bucket list of books grows apace.

But we don’t really need to read von Hügel. Instead we can go back to the words of Catherine. It’s one reason I translate or have translated and one reason I look up word etymologies every day. I go to the spring, the source of the Water. It’s also why I read the Bible and other Scriptures with commentaries and history books beside me, to reveal their words’ meanings and their contexts and to reflect on living out the word: “God is Love” into today.

These practices have also been and are life-changing helps with my decades-long-undiagnosed dyslexia.

If I go to the sources of classic works translated in English and read their original words, and if I go to words’ sources, and read their origins, then I can make up my own mind what they mean for me, as factually based as possible.

It’s also why I practice and study Richard Schwartz’s Internal Family Systems, and that’s for another blog piece. I want to go to my own sources, my own parts, because I have experienced and do experience that the pre-packaged, systemically taught monomind paradigm is not true for me. As Beatrice Bruteau (and many past mystics) said and experienced, all of us have “artificial selves” and a “natural self,” and I call these my non-authentic, non-relaxed selves and my True or Authentic Self. Students always say, “You do you” or “Be authentic.” That Self.

About the True Self, in a very encouraging way, Catherine of Genoa gives us a word still as fresh as dew for today. Catherine is famous for saying, according to the translation you read, either, “My Me is God,” or “My deepest me is God!” And I think how she worked at the hospital helping people.

For “God,” “Love” or “Kindness” or “Ultimate Reality” or “Something More” et al., are often preferred.

Her words spark the question: What does it mean to be human?

Not to be a screen.

And what did she actually say in Italian?

In Dio è il mio essere, il mio Me.”

Look at how the “Dio” and the twice “mio” rhyme. The Dio meaning God and the mio meaning my. That’s the medium being the message/massage. The è means is and the essere means to be or being. The English words essence, essential, and presence all have the same root: Latin esse for “to be” from the ancient root *es- “to be.”

I go to sleep now saying, “In Dio è il mio essere, il mio Me.” On mindful repeat.

I walk through the marsh saying, “In Dio è il mio essere, il mio Me.” Then I stop to listen to the egrets.

Because as Rilke writes, “Through all creatures extends one single space / World space within. Through us the birds fly silently. Oh, wanting to grow, I look outside at the tree / that grows in me.” [From “Durch alle Wesen reicht der eine Raum: Weltinnenraum,” Rainer Maria Rilke, Gedichte 1906–1926, Sämtliche Werke, II]

In Dio è il mio essere, il mio Me.”

If I translated Catherine’s word, which I try not to because I’d rather experience it, I’d hear, “In God is my being, my Me.”

I go to sleep now saying, “In Dio è il mio essere, il mio Me.”

I walk through the marsh saying, “In Dio è il mio essere, il mio Me.”

I remember how Catherine of Genoa helped people at a hospital. I try to teach and be kind.

In Dio è il mio essere, il mio Me.”

I teach, I sleep, I walk through the marsh. I listen. To the beautiful, raucous calls of the egrets.

Unmediated.

Without media.

In Dio è il mio essere, il mio Me.”

In Dio è il mio essere, il mio Me.”

In Dio è il mio essere, il mio Me.”